INT. OFFICE – EVENING

Our weary screenwriter sits at her L-shaped desk, her ever faithful cat, Bones, curled up on the floor near her. She opens up her laptop and starts up her MovieMagic screenwriting program.

She skims, only for a few seconds, the previous pages she’s written. Satisfied that she’s caught up, she cracks her knuckles, places her fingers on the keyboard like a pianist ready for rehearsal to start, and tap tap taps away.

Two pages later, she realizes – the opening is too long.

She pushes back from her laptop and leans back in her chair, stares at the last things she’s written, and decides…she must blog about it.

FADE OUT

Listen, we all know that writing is rewriting. I’m also aware that it’s probably not the best idea ever to rewrite as I go along. The more I look at this screenplay the more I realize…this opening doesn’t work. It just doesn’t. It’s taking way too long to get to the story. I’m at page 10, and I should be at the moment THE BIG THING happens that brings us into the premise.

I really have to decide at this moment. Scrap it and start over? Create a better outline? Or, do I keep going along and do what I’m supposed to do later which would be rewrite it to fix things?

 

 

 

 

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s